“This should be agony. I should be a mass of aching
muscle — broken, spent, unable to move. And, were I an older man, I surely
would... But I'm a man of 30 — of 20 again. The rain on my chest is a baptism.
I'm born again.”
- Batman, The Dark Knight Returns
1986:
The
Dark Knight Returns, written by Frank Millar was released in a series of issues
in 1986, and became one of the best-selling comics of all time. Known for his
innovative perspectives of stories and tendency to go beyond the proverbial
“norm” of society, Millar had used all of his creative talents and then some to
create what is said to be the greatest Batman story ever. The Dark Knight
Returns focuses on a 55 year-old Bruce Wayne, forced to come out of retirement
to protect Gotham once again, this time from a group of visually altered humans
called mutants. Equipped with a new, tank-like Batmobile, a new female Robin
and a brand new arsenal of weapons, Batman returns to prove that Gotham will
survive as long as he lives.
Millar’s
writing for the piece gave us a view of both Bruce and Batman as old, depressed
individuals living with incredible amounts of guilt, unable to move on. While
the writing helped fans realize the dark story and serious dialogue, the
original penciling, again done by Millar, introduced us to a new looking city
and a Batman unlike we’ve ever seen before. The great inking by Klaus Janson
and coloring by Lynn Varley helped convey the overall tone. With heavy black
ink featured in every page and faded colors it indicated this was no fun place
to be.
As
well as battling an army of mutant followers, Batman evaded the police force as
well as Superman, both hunting down The Dark Knight for his arrest. Batman also
confronted his oldest nemesis the Joker, which added a nice, needed flare to
the story that only the Clown Prince of Crime could provide. Comic fans around
the world owe Frank Millar a debt of gratitude for providing us with superhero
content that ultimately changed the way fans viewed the character of Batman. He
wasn’t seen as Batman, the Caped Crusader anymore, he was now known as Batman,
The Dark Knight.
1987-88:
After
the success of Frank Millar’s initial take on Batman, people requested more
from the writer, so he gave it to them. In the following year Millar wrote
Batman: Year One, which dived into the characters origins, adding some subplots
and updating the story, as well as providing young fans with a detailed look at
his origins who may not have read the original story in Detective Comics. The
book was very successful, being written by the biggest writer in comics at that
point, it was hard for fans to resist the temptation to read more of Frank
Millar’s Batman. The book is most famous for centering on James Gordon, rather
then the conventional superhero origin story. Batman’s tale was still used
quite well, but most of the situations in the book came from the point of view
of Gordon, something that was quite unique in superhero stories.
Millar’s
success with his two books sparked other writers to create a “dark” Batman
story of their own. The first, and probably most shocking of the long list of
innovations following Millar was The Killing Joke, written by Alan Moore,
another successful new writer in that year. Released in 1988, The Killing Joke
saw the Joker commit a series of unspeakable, evil deeds, all directed at
Commissioner Gordon and his family. The story ultimately ended with the torturing
of Gordon and the crippling of Barbara after a gunshot to the stomach. This
story inadvertently created a new character for the future DC universe, Oracle:
Barbara Gordon, retired from her role of Batgirl and aiding the Dark Knight via
com-link.
By
the end of 1988, it was Jim Starlin’s turn to write the next, shocking Batman
story. By this point, the role of Robin was assumed by Jason Todd, an older,
and more lethal and rebellious teenager who didn’t sit well with some fans.
Dennis O’Neil, now an editor at DC realized this about the character and gave
the fate of Jason’s future to the fans. They were given the chance to vote as
to whether Jason would live or die, and as we all know, A Death In The Family
was created and Robin was dead. While it was a triumphant release, some fans
were a little heartbroken over the loss of Robin, which would be short lived.
Just a year after Jason’s death, Tim Drake was introduced into the
Bat-Universe, solved the identity of Batman single-handedly, putting all
previous villains to shame, and quickly became the new Robin. On the plus side,
Tim was much more well liked then Jason, but just because the guy was a little
short-tempered, didn’t mean we had to kill him off, right?